metal clay, art clay, pmc, bronze clay, copper clay, steel clay
FAQ HomeFAQAsk us a QuestionSave your Favorites
Metal Clay Academy Excellence in Art Clay and Precious Metal Clay PMC
Search Advanced Search
Categories
Beginners (49)
Advanced (14)
Glass (2)
Hollow Forms (1)
Patina and Colours (8)
Stones (8)
Technical (30)
Training (2)
Firing (9)
Finishing (10)
Business (3)
Money saving tips (3)
Search
Advanced Search
FAQs
Search our FAQ to find resolutions to common issues.
Tips and Hints on using UV Resin

The following tips and hints were posted on the Yahoo! Metal Clay Group by Linda at Laughing Girl Arts

Heat the jar of resin before use. I find it too thick to flow easily right out of the jar but when I heat it it liquifies and flows easier. I put the open jar on my mug warmer with the lid sitting lightly on top to block light and stir it every 30-60 seconds until it feels loose. When it gets where I want it, somewhere between "doesn't flow" and "runs off the toothpick before I can get it to the piece", I turn the mug warmer off and let the jar sit there as I work. Reheat as needed.

I use a toothpick or bamboo skewer to pick up a blob of resin from the jar and then drop onto my piece. The blob stays attached to my skewer until I touch it down on the piece. You may need to coax the resin to the edges of your piece with your toothpick. Be sure to wipe up any threads or spills as they will harden on the piece too.

Remember light cures it so don't leave the lid off the jar very long if you're working in bright light.

I'm afraid of undercured resin so I usually give it two rounds of time under my auto-shutoff manicure lamp just to be sure. Probably not necessary but it eases my mind. That works fine for transparent colors too. I haven't done opaques.

I put the bottom of a cardboard shoebox upside down over the manicure light so that the UV light doesn't leak out. And I try not to look at it when it's on. Bad for your eyes.

Don't let the sticky residue on the top of the cured resin throw you. It comes off perfectly with just a swipe of the UV Resin cleaner. Conversely, if you're doing multiple layers you don't need to clean off the sticky residue between layers. It is really sticky though so don't get dust in it between layers.


Print  Email  Save  Comments  Notify Me  Delete from Favorites 
Article ID: 10055 Article Created: 07-03-2008 17:07 PM

How well did this article answer your question? 100% 75% 50% 25% 0%

Most Recently Viewed Articles
What natural stones can I fire in place with metal clay?
Being able to push stones into metal clay and fire them in place is a real advantage. Not all natural stones can be fired in place though. Kevin Whitmore from Rio Grande has done extensive testing of stones with metal clay. ...
What type of cores can I use to build my metal clay pieces?
Pretty much anything that's combustible and non-toxic can be used as a core to build metal clay pieces. Organic items like snacks, bread, cereal, pasta etc can be used to give support to a piece of work. ...
What is slip?
Slip is a watered down version of metal clay. You can buy slip or paste directly from the suppliers or make your own by adding water to a small lump of clay, filings or dried out clay. Slip can be used to attach two pieces of metal clay together, fill in small cracks or painted onto leaves, flowers, pods etc to make unique designs....
Which training course should I choose?
This is a difficult question to answer quickly. There are many training providers throughout the world, many of which have not had any formal training to train others. This doesn’t mean they’re bad teachers though. There are lots of very good teachers who have been working with metal clay for many years and have a wealth of knowledge to pass on to students. ...
What copyright rules are applied to rubber stamps?
Most rubber stamping companies have an Angel Policy. This is a form of Limited License and states how a rubber stamped image may be used - for instance, whether it can be used to create products for sale....
What is the process for firing Copper clay with Dichroic glass?
The original copper clay (Copprclay or Hadar's clay) that needs to be fired in carbon can't really be combined with glass in one firing. The glass would pick up the carbon during firing . You could design something that allowed you to connect the glass element after the initial firing, like a traditional prong setting.  There are several reasons why Art Clay Copper Clay or Hadar\'s Quick Fire Copper Clay won\'t work with glass. It needs to be fired at a high temperature so the glass would probably liquify too much. Also the Art Clay Copper works best if you put it in a hot kiln so this would crack the glass due to thermal shock. After firing, it has to be dropped into cold water, another reason why it can\'t be used with glass. Question courtesy of Susan Potter...
How can I get a good brass brush effect on very small pieces?
You can buy very small brushes which get into small spaces. Very small burnishing tools also work well to close the pores of the surface of the silver....
Aura 22 Tip from Celie Fago
This tip was received by Judi Weers directly from Celie Fago. This was posted on the Yahoo! Metal Clay Group and is courtesy of Judi Weers...
Can I learn how to work with metal clay from a book?
Yes of course. There are lots of wonderful books that are ideal for beginners. Check out our Books page to find some great resources. We have some recommended books especially for beginners. It's also useful to browse books in your local bookshop to see if the style of the book suits your way of learning....
How do I get the brushed finish look achieved by Gordon Uyehara?
Gordon Uyehara's work is much admired for its attention to detail and finish. This article was written by Gordon as a response to a question on the Metal Clay Yahoo! Group. Learn how Gordon achieves his distinctive results. ...