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Web Page Metal Clay Tutorials and Guides for Beginners

This page has links to websites that have valuable information and tutorials about metal clay for beginners.

If you're a complete beginner, have a look at our metal clay for beginners page.

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Introduction to metal clay
Other tutorials

 

Introduction to Metal Clay

Aluminum Contamination and Silver Clay - Med'a Creations

Beginners often make the mistake of leaving metal clay in contact with aluminum/ aluminium, either in the form of foil or leaving it in contact with cutters. This causes contamination of the metal clay. This article has excellent information about this contamination. Mary Ellin D'Agostino has carried out a number of experiments on this and shares her findings here.

Drying metal clay - Art Jewelry Magazine

Short article about how to dry metal clay and how to tell if it's fully dry. You may have to create a free account to view this tutorial.

Introduction to Metal Clay - Delphi

Simple guide to metal clay tools and techniques.

Laminating PMC paper - Whole Lotta Whimsy

Simple tutorial showing how to stick two pieces of PMC paper together. This forms a stronger material to work with and allows you to create light but strong items with the paper.

Lubricants to use with Metal Clay - Mary Ellin D'Agostino

This useful article from Mary Ellin outlines the type of things to use as a release agent to stop your metal clay getting stuck to surfaces, textures and your hands.

Make your own oil paste - Art Jewelry Magazine

Short tutorial about making your own oil paste using lavender oil to join fired metal clay. You may have to create a free account to view this tutorial.

Making your own paste and slip - Art Jewelry Magazine

Short guide to making your own slip. You may have to create a free account to view this tutorial.

Making your own gold paste from gold clay - Med'a Creations

Great little tutorial about gold clay, when to use it and how to make your own paste with it. Has firing tips too.

Metal Clay Shrinkage Calculator - Metalclays

Handy tool to calculate the shrinkage of different types of metal clay.

Metal Clay Techniques - Margaret Schindel

Comprehensive and detailed Squidoo tutorial on working with metal clay. This page has links to numerous others with information about metal clay. There's everything from the brands and varieties of clay available, through to texturing, setting stones and weaving.

Mexico - Arcilla de Metal

Supplier of PMC with information in Spanish. Proveedor de PMC con información en español.

New Mexico Clay

Basic introduction to PMC.

PMC Introduction - Society of American Silversmiths

A comprehensive introduction to the material, tools and techniques of working with Precious Metal Clay.

PMC Pro

Basic information about PMC Pro from Metal Clay Guru

PMC Sterling

Launched in December 2012, PMC Sterling is the latest development in the metal clay world. This article on the Metal Clay Guru site has lots of information and pictures.

PMC vs Art Clay, what's the difference? - Margaret Schindel

Brilliantly comprehensive and clear explanation of the differences between Art Clay and PMC on Squidoo.

Reclaiming Metal Clay - Maggie Bergman

Great alternative way of reclaiming metal clay from the dried stage back into workable clay.

Reconstituting dried metal clay - Angela Baduel-Crispin

Great tutorial in French and English showing how to reconstitute dried metal clay. One of the great things about metal clay is that if you make a piece and don't like it - before firing - you can reconstitute it into a lump of clay again.

Remoisturising Metal Clay - Gordon Uyehara

Easy to follow tutorial with great pictures.

Repairing breaks - Art Jewelry Magazine

Useful tips on how to mend breaks. You may have to create a free account to view this tutorial.

Top Ten Tools for Metal Clay

Useful Squidoo Lens by Elaine Luther explaining her favorite tools and how to use them.

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Other Tutorials

Art Clay FAQ's - Art Clay World

Useful Q&A format for everything to do with using Art Clay. This includes useful safety information.

Art Clay Silver Lite

The makers of Art Clay, Aida Chemicals have just launched Art Clay Silver Lite. This is 93% fine silver when fired. It is mixed with glass to make it lighter. This also means it is slightly weaker than Art Clay Silver 650.

New Mexico Clay

Finishing tips and hints.

PMC Guild - History of PMC

Useful article about the history of PMC. It includes the technical development of PMC and explores the development of the PMC Guild.

Tumble Polisher Tips and Hints

Have you opened your rotary tumbler barrel expecting sparkling, shiny jewelry and instead found your silver covered in either a black sludge, a yellowish, bronzy or black film? For those of you with a magnetic tumbler, has it ever served you up dark grey water and dull, greyish silver? It can be quite a shock and very puzzling when it happens, but there is a logical explanation, cure and treatment for this tumbler affliction. From Chain Weavers

Laughing Girl Arts - UV Resin Tips and Hints

The following tips and hints were posted on the Yahoo! Metal Clay Group by Linda at Laughing Girl Arts.

Heat the jar of resin before use. I find it too thick to flow easily right out of the jar but when I heat it it liquifies and flows easier. I put the open jar on my mug warmer with the lid sitting lightly on top to block light and stir it every 30-60 seconds until it feels loose. When it gets where I want it, somewhere between "doesn't flow" and "runs off the toothpick before I can get it to the piece", I turn the mug warmer off and let the jar sit there as I work. Reheat as needed.

I use a toothpick or bamboo skewer to pick up a blob of resin from the jar and then drop onto my piece. The blob stays attached to my skewer until I touch it down on the piece. You may need to coax the resin to the edges of your piece with your toothpick. Be sure to wipe up any threads or spills as they will harden on the piece too.

Remember light cures it so don't leave the lid off the jar very long if you're working in bright light.

I'm afraid of undercured resin so I usually give it two rounds of time under my auto-shutoff manicure lamp just to be sure. Probably not necessary but it eases my mind. That works fine for transparent colors too. I haven't done opaques.

I put the bottom of a cardboard shoebox upside down over the manicure light so that the UV light doesn't leak out. And I try not to look at it when it's on. Bad for your eyes.

Don't let the sticky residue on the top of the cured resin throw you. It comes off perfectly with just a swipe of the UV Resin cleaner. Conversely, if you're doing multiple layers you don't need to clean off the sticky residue between layers. It is really sticky though so don't get dust in it between layers.

 

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These pictures show a project to create fabricated earrings, courtesy of Tim McCreight and the PMC Guild

  • Make a template for the pieces
  • Cut the pieces out using a sharp point
  • Cut the pieces using the template
  • Parts drying
    Thorough drying is important
  • Stick the pieces together
    Slip is used to stick the parts of the earrings together
  • Salon boards make good tools
    Once the pieces are dry, refine the edges with a salon board
  • Filing
    After firing, further refining can be done with files
  • Drill a hole in the centre
    A hole in the centre allows the earring to be hung on a hook.
  • Filing and polishing to finish the earrings off
  • The finished earrings
  • Earrings being worn
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