Tutorials and Information for using Stones with Metal Clay
This page has links to useful resources about setting stones in metal clay. You’ll find information, tutorials and project guides about adding stones to PMC and Art Clay and stone setting in metal clay. Content checked February 2018.
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Rio Grande uses these symbols, set by the American Gem Trade Association (AGTA), to disclose any enhancements that may have been applied to their gemstones. For the benefit of your company and your customers, Rio Grande encourages you to use these symbols when you buy, display and sell stones and stone-set jewelry.
Find out all the terms used about Opals in this useful Opal glossary article.
Useful tutorial from Art Clay World
Includes information about how to fire them with Art Clay – from Art Clay World
Diamonds in Bronze Clay – Celie Fago
Celie Fago first fired diamonds in bronze clay in 2007/08 and wrote this blog post about it in 2010.
Diamonds in Sterling Metal Clay – Celie Fago
Celie Fago has added diamonds to Sterling metal clay and fired them in place. This blog post gives some information on this.
US based supplier of Art Clay and stones. This is a short information page covering laboratory grown, synthetic and natural stones and also cubic zirconium (CZ).
Great article by Mardel Rein for Cool Tools updated when new information becomes available. It includes information about firing gemstones in EZ960 open shelf and in carbon for silver, bronze and copper clay.
List of the results from Kevin Whitmore’s experiments in firing gemstones. Useful resource for teachers.
Good information from Art Clay World
Great resource from Art Clay World
The Mohs scale of mineral hardness is a qualitative ordinal scale that characterizes the scratch resistance of various minerals through the ability of a harder material to scratch a softer material. It was created in 1812 by the German geologist and mineralogist Friedrich Mohs and is one of several definitions of hardness in materials science, some of which are more quantitative.
Setting Gemstones in Metal Clay – Margaret Schindel
If you want to learn many different options for setting gemstones in metal clay both before and after firing, this article is for you. In addition to metal clay setting techniques and tips, you’ll also find recommended gemstone firing test charts and helpful tutorials, books, videos and tools.
Great resource for information about gems. Includes cutting and polishing gems, gemstone characteristics and caring for your gemstones.
Useful article about pearls and how to work with them in jewelry. Includes how to repair pearl jewellery.
This tutorial on the Ganoksin website is written by Charles Lewton-Brain. The technique is explained for traditional goldsmiths but is easily adaptable for metal clay.
Embed kiln-safe stones in metal clay for a bezel-set look.
In this tutorial you will learn to make a pendant with a decorative attached bail and how to add a gemstone cab using a premade bezel cup. From Deb Fitz.
Nice tutorial on how to make a bezel for an unusual shaped stone.
Framed Bezel by Robin Ragsdale
This great tutorial is free to view on the Cre8tive Fire website. Goldie Bronze™ is a beautiful material. When constructing a bezel for a cabochon gem we need to treat the bronze clay differently than silver clay. A common method used with silver clay is to make a plug from jeweler’s investment to stop the metal clay bezel from shrinking smaller than the size of the stone. However, jeweler’s investment creates a nasty crusty black layer on fired bronze clay that can be impossible to remove. This dilemma led Robin on a quest to find a repeatable process for making bronze bezels. After months of experimentation and a box of failures she now has a reliable method that works every time!
Setting gemstones in bezels can be easy or difficult, depending on the stone size, metal thickness, and, of course, the skill of the jeweler. More difficult than round or oval settings, square bezels require exact fitting and burring, firm control of the punch, and precision filing and finishing.